Name: Aled Phillips
What inspired you to start Johns’ Boys?
I’ve been working with young singers for many years, and I saw a gap for a male voice choir that was fresh and innovative—something that brought together youth, talent, and a modern approach to choral music. I wanted to create a choir that was rooted in Welsh tradition but also forward-thinking. Johns’ Boys was born from that idea—a place where voices from all walks of life could come together and create something really special.
How have you seen the choir evolve since it began?
Our first concert was in a local theatre with just a few hundred people. It felt exciting at the time, but we could never have imagined what would come next! Since then, we’ve sold out concerts across the UK and reached millions through national TV and online platforms.
The music we sing has also evolved. In the early days, especially for competitions, we focused on difficult, technical pieces to impress adjudicators. Now, it’s more about connecting with our audiences. People come to be moved, entertained, and uplifted—and our music reflects that shift. We still maintain high standards but now prioritise performances that are accessible and unforgettable.
What makes Johns’ Boys different from other male choirs?
One thing our audiences often comment on is the number of younger singers we have in the choir. Our members come from a range of backgrounds, and we have a real mix of ages. That youthful energy brings something unique to our performances.
Another thing that sets us apart is the music we choose. Even traditional Welsh hymns and classic pieces have a modern twist when we perform them, and our contemporary chart songs are arranged in a way that makes them feel fresh and exciting. It’s all about balancing tradition with innovation to create a sound that resonates with today’s audiences.
What has been the most memorable performance or event for you?
3rd is William Aston Hall 2024, 2nd BGT Auditions in Manchester and 1st Choir of the World in Llangollen International Eisteddfod.
What’s been your proudest moment with the choir so far?
I’ve always dreamed of winning the Choir of the World prize at Llangollen International Eisteddfod. I remember singing there as a teenager and seeing the Ohio State Men’s Glee Club win it, thinking, “One day, that’ll be us.” After years of planning, learning, and growing, Johns’ Boys won the prize in 2019, and that was a huge moment for me.
Also, having Simon Cowell praise my arrangement of Biblical on Britain’s Got Talent was a pretty special moment!
How do you choose the music?
In the beginning, I spent hours digging through composers from all over the world, looking for new and exciting pieces. For competitions, I always made sure to include music from legendary Welsh composers like Brian Hughes, whose work puts you on par with the best choirs in the world.
These days, balance is key—variety is important, and we choose pieces that are both challenging and enjoyable for the choir. And of course, we always look after our singers by avoiding ridiculous high parts that could be uncomfortable!
What’s it like working with such a diverse group of singers?
I always say there’s an “I” in “choir!” Every member brings something unique to the group. Everyone has their strengths and weaknesses, but a great team always outperforms an individual. It’s inspiring to see how the different ages and experiences come together to create something truly special.
What’s the biggest challenge of being in a choir like Johns’ Boys?
Making sure the lads are in the correct hotel rooms!!! They are a nightmare when checking in to hotels!!
How do you prepare the choir for big performances?
You have to rehearse like you want to perform. If you’re prepared and know the music inside out, you’re in a good place. The high-pressure performances often bring out the best in people, and when everyone comes together, it’s magic.
It’s all about trusting in the hard work we’ve done, staying focused, and enjoying the moment.
What piece do you most enjoy conducting?
As a conductor, Surge Illuminare by Brian Hughes is a real challenge, but it’s so rewarding. It’s demanding for everyone—the singers, the accompanist, and me as the conductor.
As an arranger, I really enjoy conducting Falling—I think it’s one of my best arrangements.
And artistically, Biblical is a favourite—it’s a real crowd-pleaser, and I know what’s coming next… a standing ovation!
If you weren’t conducting, what would you be doing?
That’s a tough one! If I wasn’t conducting, I’d probably still be involved in music, but maybe as a composer or arranger. I love writing music, and there’s something special about seeing your own arrangements come to life with a choir. And if not music, I’d probably be scoring lots of goals for the mighty Toffees… Everton. Nil Satis Nisi Optimum—“Nothing but the best is good enough”—and that’s pretty much how I feel about Johns’ Boys too!
What’s your favourite song to perform with the choir and why?
My favourite song to conduct is Surge Illuminare by Brian Hughes; It is such a workout and a major factor in winning the Choir of the World. With my arranger’s head on, my favourite arrangement would be Falling. We sang the short version on BGT, and then I arranged the full song for the album.
If you could perform anywhere in the world, where would it be and why?
Carnegie Hall, New York – What a venue
How would you describe the camaraderie within the choir?
Gosh, I think its best the lads answer this one! Rehearsals are intense as we set high standards but there is always some sort of fun and laughter whenever we are together.
Do you have a pre-performance ritual or superstition?
I always wear odd socks and put my right contact lens in first.
How has being part of Johns’ Boys impacted you personally?
Well, I defo had more hair before starting this incredible journey!! My goal is to help men enjoy male-voice choral singing while making sure they get the recognition they deserve for their talents. I want to create opportunities that allow them to grow, develop their skills, and form lasting connections. Ultimately, I hope to create an environment where men can enjoy the music and feel proud of what they contribute, both in the choir and beyond.
What’s next for Johns’ Boys—and for male voice choirs in general?
We’ve just finished recording our second EP and are finalizing a tour for 2026. We’re also working on a recruitment campaign, reaching out to schools and colleges, and later this year we’ll be launching a Johns’ Boys Children’s Choir, which I’m incredibly excited about.
As for male voice choirs, I believe the future is all about breaking boundaries and evolving. We’re embracing new sounds, new ideas, and new audiences, and that’s what will keep male voice choirs alive and thriving for years to come.